For something close to two years now Neflix has tried to get me to watch 天気の子. It stopped for a bit when Netflix lost the rights (and around that time, Amazon Prime Video began to tell me that I would probably like watching it), then they apparently got them back, the shilling resumed, and now it basically begged me to. With their sort of 'new' system of marking something as a favorite instead of just liking it, the algorithm proudly declared that I should really, really, really enjoy watching Weathering With You. Plus, it said, the rights to the film will go away in January.
So, I finally relented.
Normally I'd do a longer post, but I'm not exactly in the mood to find more posting bugs. The forum almost killed a post of of mine earlier today where I found out that simply quoting already existing text is enough to cause it to spaz out again, however, it's not entirely reproducable. I've tried quoting the affected passages again, and it worked. It's taking the fun out of posting, and it is a pretty bad show that it takes so long to even address the issue - never mind fixing it. Looks like Obsidian gave their entire staff off for Christmas.
Well, perhaps I'm just bitter because I did not get any time off.
Oh, right, the film. I do not entirely understand why all the character models in modern anime films are looking so similar to each other.
Hello, I am Hina from Weathering With You!
I am too! Well, no, not really, I am Tamako from Tamako Love Story!
I don't know what My Name is, but is it Your Name? Also, you're reaching, my eyes a brown!
Hey come on, don't be unfair, I don't have pig tails!
It's classic anime to distinguish characters based mostly on their hair, that's the reason they often have physics defying hairdo and vastly different colors - but that is within a series or a film, not a common theme between many of them. Certainly not between films that look like they have a decent budget. What, why am I complaining about modern anime aesthetics again? Poor horsie, I know you died 17 years ago.
So, anyway, the film was fine, I guess. I did not hate it, at least, which is more than can be said about a lot of stuff I've watched recently. I'll also award it some extra points for addressing a glaring anime issue, how's every teenager living alone and nobody finds it weird? Indeed, the police comes knocking and is looking for the little runaway protagonist Hodoka, who is waffling between being endearing and being stupidly shounenesque. They also swoop up Hina, the titular Weather Child, who has faked her age on a resume and should not be living with her little brother alone, without legal guardian.
Well, that's certainly something, eh? Hodoka also happens to find a loaded gun he discharges when he has his biggest shounen-moment and thinks he needs to rescue a girl in distress. It later comes back to haunt him because a camera caught him shooting. Oh my.
That said, the film also has the usual trope in full force, any metropolitan area is always as busy or as empty as the story demands it to be. Not that this is anime-specific, this is common in any film or series set in giant cities, like Vanilla Sky's New York that was devoid of people when it was necessary for the story.
So what is the story? The weather is weird, and Tokyo is locked in a never ending rain. Will the Weather Girl be able to control it? Are there going to be any repercussions for randomly discharching weapons found on the street? Do you even care? Do you want to find out? If yes, then you're in luck, because the film explains the entire plot within the first twenty or so minutes, and you can fast forward to the final 15 minutes.
Good job, Honoka.
At least now I'm fairly certain that I don't want to watch Your Name. After all, Weathering With You was criticized for being too similar. Probably not with the plot, but themes and whatnot.
Anyway Netflix, it was a decent attempt, but really, really, really liking this? Nope. Maybe if you don't flat out tell me the plot right from the start, make the characters a little more likable, not use distracting CGI for camera pans outside of the one big scene you apparently wanted to look great. Maybe. But then you'd not be the film I just watched.
Well, it was at least better than watching Noir was, although Noir was 26 episodes, and this thankfully less than two hours.