kp brought up Mummy in the genesis post. with the new universal monster movies being released, we cannot help but lament the metaphorical death o' the traditional mummy. no longer is the mummy a revenant punishing those who defile a tomb, but is a demigod/god with apocalyptic intent. blame the brendan fraser rachel weisz films? to keep this political, we can throw out a more sinister (ridiculous) possibility. given the middle-eastern origin o' the mummy, is the transformation from a singular and limited threat to a danger directed at western culture entire represent transparent and insidious islamophobia on the part o' the movie producers?
muahaha.
c'mon. you has seen crazier stuff from breitbart, no?
HA! Good Fun!
First Universal Mummy film w/Karloff has the Mummy/Imhotep not punishing interlopers or defilers; instead he walks out of the tomb area (sure he drives an archeologist mad so doing, but that's he couldn't take the site of the Mummy walking around) and later tries to force the re-incarnation of his lost love.
You have to jump forward 8 years to 1940's THE MUMMY'S HAND to get the idea of the Mummy being directed by the High Priest of Karnak to kill all those who'd defile Anaka's tomb.
That said, its probably important to point out that the first of the major mummy novels, Stoker's Jewel of the Seven Stars, involves the mummy trying to re-unite her soul (trapped in a mummified cat) with her 'astral body' who happens to be the daughter of one of the expedition leaders who found her tomb. That a bunch of people end-up dead (at least in the original version) is secondary to her attempt to reunite spirit and body, however its arguable that Queen Tera is the prototype for the super-powered Mummy who could potentially rain destruction down that you see picked up in the Frasier and current films.