Bartimaeus

Growing up, eating big slabs of meat was never really my thing (I avoided ham, turkey, porchettas, hamburgers...really anything of that nature where you just have large chunks or slices of meat served to you), so that probably enters the equation a bit. I know I've mentioned upon a number of occasions the critical importance of protein, but I'm really more of a...rice and stir-fry kind of guy, where the different elements are flavored and balanced together, like @LadyCrimson said. As an adult now, yeah, I could eat a hamburger if I need to (...minus the bun, my issues with bread notwithstanding), or fry up a whole chicken thigh for myself...but it's still not really my preference. Even if I had a steak I liked, and I'm not certain that I like the cut of meat at all to begin with, it still wouldn't really be what I'd want to go to.

Eh...a huge part of my annoyance with cliffhangers is the fact that they're deliberately trying to rope me in for more - exactly my problem with what I mentioned above with trying to commit to multiple seasons of a show and it just never feeling...done. If I know there's no more, then even if it does end in a cliffhanger, it's not nearly as big of a deal - the work is finished, I can form my own thoughts on where it might've gone if I like or go read some fun fan theories, not nearly as big of a deal. I think it has to be both reeeaaally important to me as well as something where I have difficulty envisioning where it might've gone for me to really get into a fit about it ending like that. If Steven Universe had ended before the mystery surrounding Rose Quartz and the Great Diamond Authority was resolved, yeah, I probably wouldn't have been happy, so that's valid.

I've been intending to watch The Menu. I didn't have much interest, but it seems everyone I know is recommendin' it, so I figure I have to. Yeah, there is something nice knowing it's just a one-shot thing, even if it didn't get completed: no commitment as you said, just enjoy it for what it is, don't have to worry about a bunch more seasons being made and feeling pressured to keep watching it.

Mr. Lovecraft sure had a way with words: The Festival, my discovery courtesy of the game Signalis.

Title.

I'd rather have the lamb, thank you.

Runny eggs is like eating a thick gob of mucus straight out of your disease-ravaged lungs. No. Luckily, well-done steaks isn't a problem for me, since I just don't care for steaks period. Dietary issues aside, I despise snack boxes. A random assortment of worthless garbage-tier junk food made out of chemicals not yet deemed unfit for human consumption - marvelous! Truly, I am the greatest appreciator of this type of delight, . It's the cooking that gives it a texture that isn't just soft and slimy chewiness, .

Mexican ceviche is so good you can even forget to put meat in it entirely and it's still great. I mean, it's basically just big mode salsa at that point, but it is still great. ...I have to be honest though, I have eaten shrimp in ceviche and it is really good. Authentic (i.e. Peruvian) ceviche, on the other hand...I'm not going to touch that one. As for sashimi, I have pretty much zero appreciation for authentic Japanese cuisine as a whole, so I really don't care, . Any time I look at Japanese cuisine, it's always like...please give me any other east Asian cuisine - Thai, Vietnamese, Chinese, Cambodian, Korean, I don't care, just not Japanese please and thank you.

I can't stand eggs that are runny, but I also don't feel like bothering with scrambled eggs, so what I do is basically dump the egg(s) into the pan, immediately crush the yolk so it all flattens out, then flip the entire thing over as soon as the fried side has become solid and do it again on the other side, done. It's very lazy, but it's also very easy and I really don't care as long as the eggs are neither overcooked or runny, so it works for me.

I don't think there's any kind of cooked seafood that I've ever said no to...even scallops and octopus, both of which are admittedly kind of weird. Served raw, on the other hand, such as with sashimi? Nope, never gonna touch the stuff.

It should be illegal to get tired of shrimp; Bubba speaks my language. I wasn't sure if I was familiar with the monkfish or not. I have to tell you, this creature's existence looks incredibly tortured...for everyone else that lays eyes on them.

I've seen this now, O Brother Where Art Thou, and No Country for Old Men. I like Brother, but I really had trouble paying attention to No Country for Old Men and definitely enjoyed Fargo a lot more. Bonus points that I'm actually from Minnesota (...ish, as I grew up half there and half in California) and, well, yeah, it's both painful as well as hilarious.

Fargo (1996) by the Coen Brothers. Kind of a cute, feel-good story - minus all of the neurotic scheming and psychotic killing. But that stuff was pretty good, too.

Yeah, I've always had a thing for being out and about during extreme weather as well. There's just something invigorating about being blasted by the elements, and the fact that usually nobody else is outside during is a bonus as well. I'm less fond of snow and blistering cold than I am rain and lightning, but I still have some measure of fondness even for blizzards...it's just the conditions and work afterwards that suck, .

Mai Mai Miracle (2009). A film set in the 50s about a small town young girl who likes to imagine herself back a thousand years into the past, who makes a new friend at school that she brings with on her adventures. Well, more like the main character stalked her home after school and then invited herself into her house, but at that age, there's not much difference. And after accidentally drinking a few shots of whiskey together and her new friend drunkenly cackling about her mom having died, they're best of friends. No, really. Little chocolates filled with booze that a child might accidentally eat perhaps shouldn't be left around where said child might find them. I would have liked to have watched the movie in Japanese, but the two main characters are voiced by clearly too old voice actresses that have very annoying speaking cadences. They're supposed to be like 8 or 9, but it's more like they're 16 and it really doesn't sound right...I guess I should actually look it up. Okay, yes, 15 and 16 when the film released. To think I once complained about the Japanese voice actresses in CCS not sounding young enough...hmph, at least they could figure out how to do somewhat child-like sounding cadences. But the English is fine-ish, and overall, though the film kind of...wanders off a bit towards the end in a number of ways that I can't really explain without spoiling the entire thing, I did enjoy it. Oh, it's the same director who made This Corner of the World. Apparently, I have another one of his movies that I haven't gotten around to either as well, Princess Arete. Some other time.

My posts still get broken by the quotation-period-space combo:

But the thing is, I was really tired. So you see, that's your fault, . IIRC, there's only one fan service-y moment in Your Name, and it's kind of similar: the main character feels herself up pretty much right at the very beginning, to which her little sister goes "WTF?" when she sees her doing it, but it turns out there is an explanation for it that is reasonable even if it still feels like something that would only ever happen in anime. Other mediums would generally have the good sense to restrain themselves. It's not as groan-worthy as what I remember you showing for Tamako Love Story, though...I think. Yeah, which is fine, 'cause I ain't ever watching Weathertop. Sounds like a largely OK-ish film without being too offensive to the brain. These posters come out of the same glue factory, or what?

I think I completely skipped reading this post because I read this when I was too tired to search what the hell you had watched and just said "forget it" as soon as I saw the Japanese text, and then I forgot to go back and read the rest later. Japanese has its price, my friend, . In all fairness, if the choice was between letting the anime industry currently do what it's already doing with regards to them (i.e. a hot mess combination of terrible designs that make me immediately go "no" to watching a show or repeatedly using very similar ones...and often both at the same time) versus forcing all of them to use just the specific ones I like, I'd definitely choose the latter. Probably - actually, definitely. Probably. Your Name got an incredible 6.5/10 from me. That sounds like sarcasm, but that is kind of amazing given what kind of film it is and having zero appeal to me. I don't know how Weather Girl compares really, especially given the relatively bare-bones description, but I guess at least the ending does sound pretty similar, except for... Nope! I was recommended by someone else to watch Banshees, still unsure. Sorry, not going to check out Space Dandy, I am the big fat meanie zucchini, .

The vocalist is fine, it's the style of music that's the problem!

r.i.p. bozo

Lmao!

For a show like 1899 where there's clearly plans to develop the main story and character arcs over multiple seasons, where you won't have a clear picture of the entire work unless it's allowed to be completed, the fear of never being able to see where it's all supposed to go can be a pretty heavy one. I mean, not really for me because I'm more of a journey and not a destination kind of person (in fact, I feel conclusions are almost always the weakest part of most practically anything if you did enjoy the journey), but for other people that aren't that way, yeah, I can understand it.

Socialist safety nets, or cheaper video cards? It's your choice.

Very simply put, heavily relying on types of symbolism or themes that do not personally impact me to carry a work is a surefire way to make sure that piece is ineffective for me. So it is no surprise that though I read literally hundreds of classic literature short stories in high school English, I only did not dislike exactly one: short stories, by their very nature, are barebones and incredibly pointed while being seeped in cheap...no, let's say simple yet usually painfully abstract symbolic tricks and shortcuts to quickly convey ideas as a result of the limitations of the medium...and it's at the cost of virtually everything I normally find enjoyable about reading literature. I hate the short story medium, and themes and symbology are never what I wish to approach or analyze a work of fiction with first - only, perhaps, once I already love and can immerse myself with it. With all of that said... The Green Knight (2021). The recent discussion of it reminded me of how I was into Arthurian stuff when I was a kid, which also reminded me that I had intended to see this even though the trailer looked...well, never you mind that. Pretty sick hair, kid - you'd give some anime girls a run for their money. More pertinently... Essel (the prostitute?): I like your head better where it is. Gawain: I gave my word, I made a covenant. Essel: This is how silly men perish. Gawain: Or how brave men become great. Essel: Why greatness? Why is goodness not enough? [no answer, end scene] Thank you for being the voice of reason, Essel. Anyways, I had some mixed feelings about the film overall as I predictably had trouble identifying with Gawain's character and the journey he goes through, but I did at least eventually get a lot closer than say...The Northman where I wanted to behead the main character almost the entire film, and I did think the film ended on a high note. The first third of the film was a bit difficult to get through, but it at least did ultimately serve some purpose in concretely establishing Gawain's measure of character. Hey, at least I'm pretty up front when I just say "I can't watch this simply because I don't like the style/characters/framing" about something, .

im just glad they share the same series numbers with the desktop models now...but then again what a mess