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Wormerine

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Everything posted by Wormerine

  1. The only real problem with “might” i had in PoE was that game itself was inconsistent in what it is. All of the above is fine. I am fine with might representing mystical capability of the character whenever it is using melee, ranged, guns or spells. I am fine with potent magic requiering physical strength of a wielder. But if the second is true, present mages as such, rather than traditional D&D bookworm, only sourounded by books, stuck in basements, without much light or excercise. It’s not that “might” wasn’t a stat I was expecting to see (I found character creation straightforward and satisfying). I just count figure out what the stat represents and it seemed like game wasn’t convinced either. There was inconsistency between stat discription, how the stat was utilised incconversation and how high “might” NPCs were presented.
  2. No, I fully believe in 1) and don't consider it extreme, and wish it were simply common sense. Ok, good to know. But wouldn’t that require a pretty much linear game? In case of Deadfire, yeah we opened up the world but if you go in any other direction than we plan for you to, you die because only this location is at your level? On the other hand, if you open a lot of content for lvl 1-5, than once you ge past that point those areas won’t be fun. In addition if the world is very open you risk spending a lot of time going to different places, getting killed and looking for a place you actually can complete. For a story driven RPG seems like a big misstep. I get that some creatures need to be powerful, and some need to be weak. But how about human robbers, bounty hunter etc. Does their relative “lvl” to each other really matter, if their only role is to create an obstacle for you alone?
  3. I think you forget PoE is based on popular old RPGs, based on the popularity or reputation of Obsidian. I can't think of any positives that outweigh the confusion and frustration new players experience when confronted with attributes. They are only part of the game because of popular tradition and consequently popular demand of old school hardcore fans. I think the overall idea has merit, even if wording is slippery slope. Gromnir made a compelling post regarding devs following players wishes. I will let his own writing speak for itself: https://forums.obsidian.net/topic/95407-deadfire-failing/?p=1968377 Of course, ignoring freedback of your audience is arrogant and silly, but it is devs responsibility to make a game and they should follow their guts and personal vision. I like Del Toro’s quote that he hopes each of his movies will find their own audience. Problem is it doesn’t really work like that with crowdfunding. You already have an audience who funded the project. You should care to make a game that will satisfy people who backed it. Few people will be open minded enough to appreciate released product, if it won’t fit into what they have invisioned when they backed the project. Or it will deliver something else they didn’t know they wanted.
  4. Are they real though? If they have been created by people should they have that influence over people? Is,their positive influence enough to justify cruelties done to gain their favour (roderick). The finale leaves a lot of doubt and raises questions and I can’t wait to see how Obsidian will delve deeper into the subject in Deadfire.
  5. I am pretty sure Mercer is back. He recorded voice for e3 demo. I am not sure how much those gaming voiceactors can barter. Sure he did Overwatch, but does it make him a star? Will putting "one of the companions voiced by McCree" bring an Overwatch in? If that's the case, hiring him should be borth extra expenses. It is more likely he can negotiate better pay as he did well in PoE1. Dunno. As far as we know he is in. He did trailer, he did demo, would be weird for him to not do actual game.
  6. Are we really getting stuck on single words? Yeah, generic doesn’t have to be negative, but it can be used to bring attention to unoriginal or uninteresting of a nature of an item which by design should be unique like “a generic action film”. My stance still is the same - choosing from one-of-a-kind handcrafted weapons is more interesting than choosing from weapons which are easily recreatable and interchangeable with each other.
  7. And that would be perfectly fine, if the game would recognise that connection. It might be preconceptions brought with me from IE games but design of NPC spellcasters still very much played into D&D bookworm stereotype. If Obsidian would want physical and spiritual “might” to be connected, it’s all good.
  8. I think that even though we don’t fully really believe in the following, we tend to argue in favour for three extremes: 1) there should be no scaling, legendary enemies should be tough as balls and demand from players to lvl up to them, lvl of enemies should be consistent with world building and reflect creatures power within that world. 2) getting a bit overpowered is fine as it shows your progress throughout the game. Scaling enemies contradicts your raise in power, making lvl up meaningless 3) game is still a game, challange should be constant and content should always match players lvl. All of the above statements do represent what people like from their levelling system but I don’t think they necessarily have to exclude each other. On a contrary, all of the above should be a part of a good lvl & scaling system. First of all, it would be a mistake to scale every enemy to your level, or scale every enemy the same way. Like a narrative needs a clear arch, direction, tension building and releasing of said tension, gameplay needs combat and other checks to be varied. You constantly provide tough challenge and player will get frustrated and narrative could get stuck. On the other hand, you provide no challange at all and player stops being engaged with systems. Ideally you want them to be on their toes, but not struggle all the time to allow quests to flow. If you go to the area and it is scale up to your level, difficulty of the enemies you face should be consistent with the quest design - unarmed peasants be peasants, while on the other spectrum big Dragon, sea monster or challenging rival pose a challange. No one asks for every enemy and every area to scale up. Kobolots be kobolts, revisiting earlier areas filled with weaker enemies both by design and lore and wiping the map clean can absolutely be part of the experience. Similarly, legendary enemies can still be part of the game, waiting for you to lvl up, or kick your butt by acting as a late game challange, reflection of your growth or gateway organically blocking access to areas devs want you to access later. As far as scaling contradicting lvling up... that would mostly be a testament to a weakness of the design. It usually happens when lvl up only rises your stats (health, DPS, accuracy) but doesn’t expand gameplay in an interesting way. Skyrim had this problem. My lvl 20 character played the same way as my 1 lvl. character. He had more health, but enemies did more damage, he hit harder but enemies had more health. He didn’t get defined much beyond where the game started and gameplay didn’t get expanded. If we get access to unique skills and expand what our characters can do, and how they can interact with each other (we are talking about a party based combat after all) we did grew beyond numbers and stats. Even giving enemies a little stat boost to force player to not sleepwalk through the engagement still should showcase his superiority thanks to skills and combos his party possesses, special advantages provided via equipment and tactics learned. Overolling dice rolls is the most dull way you can represent your party’s growth.
  9. haha! Getting immersed in Divinity 2. ha! My money is that they are going full VO. Making a deal out of it if its anything less would be silly because... well D:OS2. As long as Deadfire will have writing worth being read/heard I am all for it.
  10. My biggest problem with weapons in PoE was that they were generic and recreatable. Picking weapons was uninteresting, because weapon you started with was probably (due to upgrading system) better than what you are picking up. Crafting system wasnt't too fun either, giving you weapons which simply hit harder and hit harder vs certain enemies. I missed those cool weapons which I would remember and use from BG2 like Celestal Fury or Silver Soul - weapons with unique low persantage ability. Soulbound weapons brought just that: A bot that essencially shooting lighting A two handed sword which summons wilder to fight at your side Breastplate which powers you unlock by mimicking deeds from previous owners life. A basic dagger made by an amatour which get worse and worse with every upgrade until it gets really really good. That's what I want from my weapons. As a matter of fact with new weapon design I hope for more memorable weapons to find, so the choice will be: which one of those cool weapons best suit my characters, rather than "I will use those interesting weapons only because other are generic." I can't say much about the balance, but I remember people complaining that Soulbound weapons aren't as good as maxout regular weapons and reply that that is very much by design with soulbound weapons being more unique/situational rather than overall better than anything else.
  11. Yeah, the weather effects and some ability effects tank the frame rate. Beyond stopping me from playing more beta I wouldn’t worry too much about it right now. Little sense in polishing early builds and subject-to-change effects.
  12. Oh no, in that case quickly to “might” related forums and viciously argue in favour of strength/resolve.
  13. Game is really unoptimized right now and it is still much better than it was before patch1. They mentioned multipletimes they want it to run on pretty much the same hardware PoE1 did. How close will the reach this goal we will see once it releases.
  14. Everyone has their preferences. I for one really like them. They were unique, momarable, had their own story and flavour. Possibly the new weapon system will be so good, those won't be needed, but for PoE they were a welcome addition to add something interesting to very dull regular equipment.
  15. Or at least "buff" "debuff" icons to clearly show that character is "buffed" and "debuffed" so we know what to look for.
  16. The problem is that "kill" means "make killing blow", not "make some damage contributing to killing by whole party". This essentially means that the one with such soulbound weapon should remain alone for each enemy he wants to kill while the rest of the party does nothing (except occasional healing) not to steal the kill. That would be true if combat were sparse. and I am pretty sure the example I gave was from a two handed sword. The more "supprty" weapons had other requirements. They generally were tied to whatever theme of the weapon was. I don't remember even seeing a requirement that needed player to not take advantage of weapons main function, though it is true some unlocks took longer than others.
  17. Yeah. Stolen from the thread: Ship "Defiant" fires its cannons at ship "Black Pearl". Similar to the example I gave but avoids the problem of stating the sex of the subject. Smart wording as I said.
  18. Speaking of which... Where can I get that thing? It does not show up on my GOG account. At least not for linux. (It's patch 3.07 I'm looking for, isn't it?)) https://www.gog.com/game/pillars_of_eternity_deadfire_pack
  19. The issue Josh is dealing with, is that in some languages the sex will change certain words in the sentence. So let’s say you say: Lord of Pain fired at Enemy Frigate Lord of Pain fired at Enemy Frigate However in polish it would be: Pan Cierpienia wystrzlił we Wrogą Fregatę But Pani Cierpienia wystrzeliła we Wrogą Fregatę Adjectives change depending on the sex of the subject. And the above is a very basic example. In simple sentences we rarely, for example need to use “I”, “he”, “she”, “it” as the information about whom the statement is made is often included within the form of adjective used. In short, allowing player to specify the “sex” of his ship would require changes to most sentences or very very smart writing to not be grammatically incorrect. As far as Josh inquiry - I really don’t know. I play English version precisely to avoid being distracted by translation problems. It would certainly bother me, I really don’t know if it would sabotage the experience.
  20. Weren’t there always a second, more numerous but easier to do requirement? Like kill 10 wilder or kill 100 enemies. Never found unlocking soul bound a problem. I However, I never bothered with unlocking soulbound which I would never use.
  21. Probably the largest singular problem with the handling of romance in RPGs is that it's a thing that you can optionally do. Conflict between characters isn't a thing you can optionally do. Neither is pretty much any other emotional development. I mean, sure, outcome A or outcome B might occur between your party and some NPC depending on your choices, but you don't just get to choose "Nah, I'm not gonna have anyone be mad at me." Romance is just a part of the people-simulation of the world and characters. Generally, it gets crafted into the game as this weird, super-separate add-on (which is bad), AND it gets wayyyyy too in-depth. Like "This character whispers sweet nothings into your ear... what do you do? (list options of things to whisper back)." It's just weird. The rest of the game doesn't go into that level of detail with interactions, but then, now that it's "a romance" (again, the weird separate thing), it gets all of its own super-zoomed-in interaction details. Or, worse, you get basically the option to either woo NPC, or opposite-of-woo NPC. I wish people would just accept that if you're going to write a world full of characters, many of them are going to seek romantic involvements/emotional bonds. Doesn't mean we need to code in a "doin' it" minigame. It just means that it's a thing that's in the game world, just like basically any other motivations or character personality factor ever. Romance is a classic case of a "it's for some reason been accepted to just approach it incorrectly from the get-go, so most games do it wrong, so let's just shun the very idea of it because no one wants to bother actually taking the time to consider how it would be better handled in general" feature. It's not unlike the dreaded "DLC." Lots of it has been dumbly designed money grabs, so now "DLC" in general is just this evil entity. As if anything you could digitally download to expand a game is now bad. Obviously it isn't, but it's commonly shunned as some kind of overly specific thing. That's what I hope "relationship" of Deadfire system will do - create believable and natural interactions and bonds/conflicts between&with NPCs. I think you really nail the issue with "romances" in RPGs. They more often than not feel like "erotica" DLC rather than integral part of interactions. And so often it purely depends on player choosing the branch of dialogue with heart icon, making it feel like "choose your sex toy" rather than genuine interaction with the character. Probably the reason I still like romance in BG2 the most is because it was initiated by companions, not the player.
  22. What if summoning weapons was a form of “prebuffing” we could do? I really don’t see a reason for such a long cast time. After all it is kinda of a spell you need to spent time using to make it effective. Maybe they become really effective later on, but right now I really don’t see a reason to use summoned weapons over regular weapons.
  23. Hopefully, final map will be more interactable but I dont mind limited landing spots. Not very “realistic” but it allows devs to “structure” islands locking certain areas behind scripted interactions, etc. Could be still achieved with more open landing system, but seems to be easier to do that way.
  24. The problem is that often the choice is “romance” or “be a ****”. And no, romance itself isn’t game breaker. The only game which really bothered me were Dragon Ages (1+2) and Mass Effect 3. That said those games bothered me beyond romances. However, especially in ME3 I felt as if “space boat of love” overtook character interaction, including characters gotting plastic surgery and all becoming supermodels between sequels. That said moments I remember to be super uncomfortable weren’t even intended. Like making “don’t die” speech in hospital over half naked, super ripped Kaiden body.
  25. No, I agree, dungeon itself was really neat, but I did feel they run out of content after a while and were creating short levels just to reach the depth number promised during crowdfunding. That last 5 levels or so before meeting the Od Nua felt really shallow.
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