Pidesco

That's what you say now. The idiot Hollywood writers of today are the visionaries of tomorrow.

Which reasons are these? Well, the moves are all mocapped, so with the amount of time spent in the studio it seems unlikely that they would have a plethora of different strikes and only one takedown for each situation (armed/unarmed front/back). Martial Artists also tend to know a variety of takedowns, and many like to show them off. Add to that that the CQC is it's own skill and level progression is supposed to grant new combos etc., and it seems like too significant a portion of the game to skimp on visually. Ao2 and K&L didn't even have much in the way of mechanics governing CQC, it was just something you used when you ended up too close. In the case of AP it's a "weapon" skill with its own progression like pistols and assault rifles. That's just my edumacated guesswork though, Sawyer might step in at any moment to tell us (hint hint). The game currently features multiple takedowns. I even did the mocap for one of them. Nice. Do we win anything if we can figure out which one when the game releases? It's the one where Thorton takes a bad guy down by stabbing him with a pocket protector. It's, at the same time, geeky and awesome because it takes the "everything is a weapon" mantra to the next level.

The graphics were rather nice. The gameplay seemed like Prince of Persia with guns.

It's pretty hard, but I finished it. Because I'm awesome.

KOTOR2 Super Star Wars: The Empire Strikes Back Super Star Wars Jedi Academy KOTOR1 X-Wing Vs Tie Fighter and Jedi Knight were awesome, but I never owned them.

Formula 1 was awesome in the late 80s and early 90s. Now, it's awfully predictable and boring. Of course, it's still better than hillbillies turning left. Edit: Stuff like this just doesn't happen anymore: http://www.youtube.com/watch?v=im70dqUQfUk http://www.youtube.com/watch?v=cegEkKId5-U http://www.youtube.com/watch?v=bb8UFso1nyM

That's, actually, an awesome gameplay feature.

The only character she is able to play is the sultry, evil dumbass, and even that she isn't particularly good at. Soul Survivors and that horrid Tru Calling thing scarred me for life. It's really annoying too, because the casting of Dollhouse is generally spot on. As you mentioned, the chick who plays Sierra isn't bad, at all.

She was made for the role in the sense that it's her project, I guess. She was the one who pushed for its production, I think.

I jaw saw the 6th episode and it really was a cut above the previous ones. However, I still don't know how Dollhouse can survive Dushku. She really is godawful.

In Daggerfall, you basically could get stuck in almost anything. Also, in The Elder Scrolls games, in general, falling through the ground was always a distinct possibility.

Sands of Time is a truly awesome platformer.

You think he was wearing a bulletproof vest or somehow the bullet didn't hit a vital part? What the bullet hit, exactly I don't know, but I'm sure that the Losties will be involved in saving his life. Jack, for example, would be a good bet at doing the saving. Ix-nay on the paradox. Hay.

And there was much rejoicing.

He's not, in any way, dead.

Ben isn't dead because, well, he's always been alive. I actually thought they wouldn't have Sayid pretend-kill Ben because one, it was predictable, and two it would force them to have Sayid shoot Ben in a way that seems lethal but actually, isn't. If Sayid was such a cold blooded killer with a deep seated hatred towards Ben, he would have shot Ben in the face, or something.

And why's that?

The Path

My reward for doing what the game told me to do. An arthouse game.

I thought the first game was one really, really cool gimmick and not much else other than embarrassing writing and a bunch of Finnish guys populating the streets of NY. It only barely held my interest until the end of the game, so the third game in the series is really kind of pointless, to me.

What? Only real men use CRTs. Much better for budget gaming

I remembered that immediately, because the character's name in KOTOR stuck with me, mostly due to the fact that sarna means scabies in Portuguese.

Onion is always awesome: Teaching kids to survive the apocalypse.

I thought this was a bit disappointing after the last few episodes. Pandering to generic magical mysticism instead of carrying on with the racial and religious comment on what it means to be human. They were more interested in cleanly and smugly concluding all the plotlines than in carrying the show's themes to a proper conclusion.

I saw this coming several seasons back.