majestic

I'm pretty sure that we got the episodes in the intended order on TV then, rather than the US broadcast order. Interesting, thanks. That would also perhaps explain why my DVDs, the remastered one and the Netflix episode list is different. Starfleet uniforms as a general rule stayed pretty pants. Except maybe those later DS9/First Contant ones. Discovery Season 4's uniforms are a highlight though:

Yeah, now that you mention it, you may be right. The aliens just altered Charlie so he could survive on his own, or something. edit: The other one had the galactic barrier affect two crewmen, I think. The order in which they are shown depends a bit on the release you have. There's some original DVDs that went by broadcast order, the remastered edition that went by remastering order and there's another edition that goes by the production order of the original show. So yeah, the one with the galactic barrier at least aired as new pilot. Confusing, all in all.

Yeah, he correctly picks up the idea of a friendly slap on the ass and applies it gender neutral to Yeoman Rand, and then is very confused about why it's okay for men to touch the butts of other men, but not the butts of women. However, Charlie isn't a human that develops reality warping powers but an alien that always had them. He just passed off as human. edit: I was half-joking.

I would also like to log a formal complaint that this thread is once again in @KP on top of ZA WARUDO's custody. It would have been @Bartimaeus' turn now. That aside, I'm once again calling it quits. A girl called Lightning Levi (or more literally Levi of Lightning), one of the servants of the totally not evil Overlord from the Book of Darkness showed up. Not only is she a Bokukko, but she also just goes ahead and summons a Mecha from the seafloor by striking everything with lightning. Because she's Lightning Levi, and of course there's a giant mech turtle waiting to be activated on the seafloor, because this is Japan and there's plenty of weird stuff in the sea there. This is the stuff people prefer over StrikerS, because people are stupid. I don't even... Godzilla just called, he's unhappy he wasn't invited to the party. 20 minutes, not bad. At this rate I'll be done on Sunday, and then it's one more film... just one more. Sigh. I really should have continued with Magic User's Club or The Shounen Adventures of Shaoran, or maybe even Lady Asuka. Anything, really.

I think those aired before or after the DiC dub episodes aired. A lot of that DiC stuff is absolutely epic in this special trash kind of way, no wonder some people prefer it to the more "serious" dub by Viz, and I'm finally beginning to understand why there are people who claim that the "original" Sailor Moon anime was gritty. I mean, yeah, sure, compared to the DiC stuff it sometimes really was, but in general, people really do act like granola bars when they claim it was. It's too bad the Sailor Says channel is gone. Sailor Dark Mercury disagrees with your asessment! Aku probably does too, but then you'd complain about me using your memes again. edit: Kyrie's inredibly inconspicuous AI friend "Iris" from a tablet she found as a kid just freed an Evil Overlord (TM) from the Book of Darkness and resurrected two of his servants. Evil Overlord speaks in a deep, distorted voice just to drive home the fact that this is a good idea and everthing will be zettai daijoubu da yo, to quote Sakura.

Are Russian merceneries ripping babies from incubators yet?

This Nanoha movie is so painful. Kyrie's enrage mode ends up beating everyone, she shoots herself through her guts to hurt her sister who crept up behind her and takes off with Hayate's Book of Darkness (tm). The fact that I can understand about half of the dialogue also pretty much implies that the actual dialog writing is pretty simple, to put it in nice terms. Kyrie yells 大嫌い (daikirai, lit. big dislike, i.e. I HATE YOU, in the same way Anakin hates Obi-Wan, you get he idea) at Amite before shooting herself and her sister. There's some post-battle cleanup, then this happens: Arisa is slapping Nanoha's ass because Nanoha looks a bit forlorn and is worried about not being able to help the girl that almost killed everyone. Both of these are typical Nanoha things, although in the past seasons Nanoha trying to understand her enemy's motivations was better written and made sense. The silly assault stuff is just absolutely hot pants. I mean, pants. Sorry. Got distracted by the image. There's a slight chance that this is a homage to Star Trek: TOS... Eh, but, I kinda doubt that. Five MINUTES. I made five minutes progress after I swore to myself not to post about this trashy film until I'm done watching, and look where we are... *sigh*

Ha, found it! Yeah, it's one of "those" YouTubers. Narration is terrible and all that. But... it has actual footage. Like. HOLY CRAP I forgot how awful that was. edit: Although, not the one I thought it was, to be honest. That was some other documentary I can't find any more, or a few things fused in my mind, that's entirely possible. Used to watch a whole lot of those during the rewatch. edit 2: Have fun with this fun thing too:

I'll let that slide this time because I actually really watched Sailor Moon on a German TV channel... I've seen some parts of the adaptation in a Sailor Moon YouTube documentary already, by the way, I can't find it any more though. It talked at length about how some episodes were available in Canada before the US and all that jazz, but... dunno where that review is. It seems gone. It singed my mind and I opted not to mention it.

In the manga/Crystal he is 16... the 18 bit was a change for the anime because no idea.

No, that was just me making it up. Mamoru is super annoyed when Usagi is jealous and believes he would want Chibi-Usa in inappropriate ways. Like, he rightly should be. She all but calls him a pedophile in name there.

Huh? I was pretty down on the more pants part of the R storyline until I watched Crystal. Mamoru's fake breakup ends up hurting Usagi and is based on this super stupid closed time loop, but it's... a damned sight better than Usagi showing up, spewing an almost hateful tirade at Mamoru for wanting Chibi-Usa* as a woman more than her, him being annoyed by being called Pegasus, and ending Usagi's hissy fit of jealousy by, well, showing her just how much he really wants her as a woman (oh dear god), turning his first volume/first crystal season creepiness (stalking her, watching her transform, etc.) up to eleven by (ab)using Usagi's exceptionally distrought emotional state, to, and I'm sorry to retort to this level of language but nothing else is appropriate, get his d1ck wet. To make things even worse, it caps all of that off by making Usagi being all right with Chibi-Usa being around the next day in the morning, because nothing turns off ridiculous female hysteria faster than getting laid properly. We've been over this though, and how the manga was made essentialy excuses a whole lot of these things in some manner, but not all of it. *Usagi is generally pretty crappy to Chibi-Usa in Crystal/manga. The anime handled this much better by using Usagi's relative immaturity to make their "rivalry" a little less stupid and more relatable. Yeah. You should really watch Crystal at some point. It's eye-opening.

Quick reply, clock just struck 0300, more later... but yeah, you had a run of particularily bad films and asked if anyone wanted to suggest something bad too, and I went for MD Geist II because that's actually even worse than the first one. I still love it, don't get me wrong, but it's... bad. Looks like I lied, it was two minutes.

Something about K-On!! (well, the second season, silly naming scheme) just struck a chord. Ha ha. Struck a chord. That wasn't even intentional. I think I'll go to sleep now. I think I'll watch Only Yesterday sometime soon. I looked at some pictures, but the adult parts don't really appeal to me, or at least, they don't look like other Ghibli films that I found had a more pleasing art style. Not sure without seeing it all in motion, of course. I hope this doesn't end up being as emotionally draining as Whisper of the Heart was. Fat chance of that considering the director, huh? Sailor Moon looked really, really good for how little time and money they had to do it. Sailor Moon and Sailor Moon R are probably my favorites in terms of looks. As contrived as the plotline was with Usagi's break up, that shot where she walks down the road only to sit down in a telephone booth is nothing short of fantastic. In fact that entire sequence, from her arriving at Mamoru's place to that is absolutely stunning. Walking down this reduced, minimalistic, impossibly empty, surreal street somewhere in Tokyo. Eh... Technically, on my end I can add Nanoha and Fate in StrikerS to the list, it's all but stated directly but waffles a bit too much with its commitment for my liking. Haven't watched Tokyo Godfathers though. Shinji is just way too confused about everything to really make sense of what his preferences are, but assuming for a moment he's bisexual, he still shows a strong preference for women. So, no, I don't think Shinji is gay at all. Cancel me internet, I don't really care. I don't think I've watched a whole lot of anime with the unrealistic sort of gay characters either, because all the girl-on-girl assaults were mostly committed by characters in shows that barely have any romance at all. Which is why I think they're just there purely for male entertainment and adding to the unrealistic expectations some men have regarding the topic. *sigh* Yeah, also... you have the good sense to stop when it gets bad and I don't... *nods sagely* *secret handshake* Ey, you already tried MD Geist II and very surprisingly dropped it after a minute. Gotta ask, which one? It's been a while and both shows fused into a weird amalgamation where I can't even tell the storylines apart from binging it. It's all really confusing.

Wrapping up things: Magical Girl Lyrical Nanoha Reflection I've left this off when Hayata starts battling the transformers, and luckily that's done now. The transformers kick her ass something fierce, but sister girl from the intro comes to save her, then picks up the now damaged transformer's gatling gun and transforms it into an even biggerer, awesomerer triple gatling gun and shoots everything. There's still an hour of runtime left. An hour. Holy hell, I don't think I can do that. Ugh. Time to listen to Cage of Mirrors again. Take me back the way I came, I don't want to see... Kyrie's sister for some reason knows Hayate's, Fate's and Nanoha's name. I have no idea how or why. The movie should dispense with the silly action stuff and get to the point: Says majestic, posting this picture a few seconds from the transformation sequence he was talking about actually happening in the film. I do have a nice sense of timing sometimes, don't I? There's some incredible irony here insofar as that transformation sequence is the least, and really, I mean that, the least explicit (substitute offensive if you will) transformation sequence in the entirety of the franchise so far. There's barely a shot of the breasts he was talking about and the girl in question doesn't even get the full undress treatment everyone else got so far (including the nine year olds from the first season ). Anyway, back to the actual film, the new arrivales analyzed the fighting style and strengths and weaknesses of their opponents and are doing pretty well against them. This idea isn't half bad, but it's still so much time spent on action that could be better spent on what StrikerS did. Giving the action meaning by properly introducing the characters first, hm? As per usual, there's absolutely no visceral feeling to the action sequences, and they drag on forever. Regardless of having "analyzed" their opponents, it's also a little ridiculous given how this plays after A's where Nanoha, Fate and Hayata obliterated a world ending all-powerful god mode entity, and now they're stopped cold by construction vehicle decepticons. Is there any particular reason Nanoha doesn't Starlight Breaker her enemy into submission? That thing worked each and every time so far and none of the others can defend against it (at best, Fate can fight her to a draw). Uhm, and where's the Belkan Cartridge system gone? Hey girls, add some mana batteries? Hello, is this still the same franchise? I get it, every enemy needs to be biggerer and badderer and bad-asserer than the ones before, but you know what was pretty nice about StrikerS? They weren't. When the attack happens, they fight them off pretty neatly in one on one situations but still lose because the enemy has superior coordination abilities and a phase walker girl that takes out the Space Cop's CIC. Signum and Vita show up, and they have new weapons too, but at least Signum has mana batteries. Right, now I think I remember that the Tiddies guys said the movies are spin-offs set in their own continuity. Great, now I care even less about this. After reinforcements arrive and Kyrie is apparently beaten, she does the usual sci-fi trash thing and starts her enrage mode, beating everyone handily. Well, everyone but her sister. The characters have on and off tried to talk Kyrie into just stopping her attacks and find some course of action to help her, but Kyrie doesn't really want to listen. Yeah, writers, we've done this before. Twice. When you made StrikerS, you had the good sense to not pull it off again. Time to call it quits again. I can only take this in small chunks apparently. I'm also stuck in a time dilation field, because every time I check the progress bar, there's still one hour left. That can't be right...

I sort of am, but if given the choice I'd still either take the rather neutral children's anime/world masterpiece theater style of the late 70ies/early 80ies (Heidi, Anne of Green Gables, Dog of Flanders, etc.) or late 80ies to late 90ies anime style over the alternatives. I have a soft spot for certain 60ies character designs from liking Attack No. 1, but that's as far as I would go. There are certain modern animes that grew on me after a fashion, like Violet Evergarden (outside of some of the CGI used) and especially K-On! which... honestly isn't something I would have thought I'd ever enjoy, aesthetic wise, but somehow ended up doing. For K-On! at least, I think it's something like form following function, I suppose. The art style works perfectly fine for what it is. I will, eventually. "Fun" fact, almost all the sexual assault I've seen in anime recently was girl on girl (I don't now if that is supposed to lessen its impact or increase it's appeal*, or both), but yes, that's pretty much what I was talking about, in addition to putting the characters in embarrassing and revealing situations for no real reason. I mean, there's no way Plastic Little wasn't made with the male gaze in mind, but it was noticably more mature about it than ecchi elements in general tend to be. I have, to this date, watched four shounen shows. Two at a time when they were on TV and I just watched anything that was on TV, and two that were an adaptation of the same manga, that last one based on the recommendation of friend a couple of years ago, in between the time from finishing Sailor Moon's original run and reviving my interest in anime - in one of life's little and strange coincidences by rewatching Sailor Moon. The first two are Bismark and Robin Hood, the latter of which lessend the impact of the shounen dolting there is (and that isn't entirely a whole lot, but that's filtered through nostalgic memories from a long while ago) by placing it into medieval Europe where some of it makes more sense, what with the feudal system at the time, but I've talked about Robin Hood at length. Bismark is fun 80ies sci-fi trash, atlhough it does feature an initially fairly stupid shonen dolt frenemyship between the lead character and an American called Bill that may only have been a part of the dub. Not sure, the series was apparently changed a good deal in dialogue. There's every chance I'd actually hate the original. Still looks pretty good though, but follows the anime sci-fi trash formula of having mech fights until the main characters just whoop out the main cannon and obliterate the enemy in one blast to the T. Ever since I was a kid I've wondered what stops these people from simply employing their enemy one-shot mechanism immediately - if all your dramatic mech combat momentum hinges on an unexplained contrivance, you're bound to lose me, and indeed, the mech fights are the least interesting parts of this. Really, that makes no sense at all. As did the change in the dub that the enemies they kill don't stay dead, but just get teleported back to their home dimension, leaving me to wonder how they'll ever be defeated. The other two are Fullmetal Alchemist and Fullmetal Alchemist: Brotherhood, and while I liked them well enough in spite of what they are, I'm generally "that guy" when it comes to preferences. I like the slow burn of the original adaptation more, but prefer Brotherhood's less metaphysical ending. Needless to say I watched it more for Al and Winny than caring about Ed... overall not a complete loss, but I certainly don't understand how this won every "most bestest favoritest anime of the year" awards during its original run. No, that's not it, because people who are young in body and old in heart generally are either fanatic Christian young earth flerfers or young poster boy conservatives that swallowed Ayn Rand's nonsense hook, line and sinker, and you don't strike me as either. You're just a person of taste, and entertainment's gone down the crapper in recent years. The first TV show I can't answer because it's one of those that were on TV, and I really don't remember what the first one was. There were always at least four or five animes running. As for movies, that's a tough nut, for all the anime I've watched, there weren't a whole lot of anime films on TV and unless we count OVAs like Legend of Lemnear or Plastic Little (which we should not, I think) then the answer to that is actually MD Geist. I was going to say it was the Sailor Moon R movie, but it wasn't. MD Geist and Akira were before that... Can fully recommend MD Geist for every fan of 80ies sci-fi trash, but keep in mind, it pretty much is trash. *This is what Miyazaki talked about, in part. People in the anime industry not observing the real world in any meaningful way, and ending up making scenes like that. There's a pervasive schism between the depiction (and acceptence, actually) of lesbians in entertainment (adult or otherwise) and the real world, and it's especially bad in anime and in, well, adult entertainment. In my experience, so that's just an anecdote, heterosexual men in particular seem to react with a certain amount of disappointment and disdain when real life lesbians don't turn out to be like the ones they like to watch in films. Which is like all the time. *sigh*

I blame digital coloring, and to a lesser degree scanning the animations, i.e. the outlines drawn on paper, scanned and animated digitally by stringing the frames together instead of using cels - at least for Japanese anime. Western cartoons didn't suffer as much from this, like, when you look at Infinity Train it looks fine, but it too was animated on paper and colored digitally. There are some physical properties you'll just never get from digitally coloring scanned outlines, no matter how hard you try. Like having an actual coat of paint with not always evenly distributed amounts of color (perhaps intentional, to boot), colors on top of each other and colors according to what we can observe in reality (where else would go get colors from). I don't want to say digital coloring feels so soulless, but it's pretty much like the difference between the original Star Wars and Attack of the Clones. Star Wars, for all its being sci-fi, looks like the real world because it was shot in the real world, Attack of the Clones wasn't. Everything is shiny, bright and just feels wrong*. That's why you have modern anime where the backgrounds look fantastic and the character models don't, because the backgrounds were painted and then scanned, not vice versa - but they're also by far and large static, so the extra work pays off by making them look better and not causing a whole lot more effort. I'm guessing you could apply some digital trickery to simulate color thickness and layering and whatnot, but looking at the screenshots, that's just not done, and even then... that's never going to be the same. This is a lot like this stock picture here: Now, this has someone with a ball, a broken window, and someone angry. I think this is supposed to mean that the guy believes the other guy damaged the window, but my reaction to that is, given the perspective on this, there's no way that ball could have made that small a hole. Whatever the ball is, it sure wasn't used to break the window. *edit: At the end of the day, a painting has a structure and an actual uneven surface that breaks light differently than the inherently flat surface of a digital plane of color. That's why painting and scanning the background beats digitally created backgrounds every time, even if a little bit is lost without cel transfers. At least, I think that's what is bothering me, but I might be wrong, I'm by no means an expert on the subject of animation.

Maybe, but I by far and large hated much of The Mandalorian and very vocally stated so here on the forums, so while I too haven't watched The Book of Boba Fett (yet, that is), I can still be rather vocal about absolutely hating the design and the idea of a cyberpunk biker gang riding colorful vespas in a gritty Star Wars setting on Tatooine.

Wrapping up Carried by the Wind: Episode 12: Myao self-inserts into a scene without knowing what is going on, and as honorable as her intentions were, as per usual, she and by extension Ran are now stuck in a silly adventure where all isn't exactly as it seems and Myao ends up smuggling stolen goods... also, damn Myao is retarded and lacks any ability to read the room. Well, or the wind, as the Japanese would say. And, as per usual, leave it to her to not learn anything from it either. Episode 13: Myao and Ran fight. Over what? Doesn't matter, and therefore isn't shown - Ran realizes that she can't get smashed without money. Money Myao supplies from somewhere. It's quite baffling. By the way, did you know that making Sake probably started out by shinto monks chewing rice and spitting it out? The enzymes in their saliva started fermentation, the result was a slightly alcoholic pulp. I find that disgusting, really. Sake is, by the way, the reading for two Kanji: 酒 and 鮭. One means alcohol, the other salmon, I'll leave you to figure out which is which, and the same readings are why sake sushi has nothing to do with alcohol. Since 酒 just means alcohol, if your context makes it hard to distinguish one from the other, it's probably better to use 日本酒 when it is about the ricewine from Japan, although adding the word beautification prefex o- is also often used: お酒 (o-sake). Syllable stress is supposed ot be different between the two words, stress on the sa means salmon, and on the ke... well, you get the idea, and guess what the reason is why salmon is by far and large called sāmon (サーモン ) in Japan nowadays? Back to the episode... Ran is trying to buy cheap sake while Myao suddenly shows up being somewhat rich after helping a jeweler, being carried by four identical slaves, or servants, or whatever, and suddenly Ran wants to make up. Strange how that goes. Myao even realizes that she's so retarded that it's going to work, and lo, it does. Ran also meets someone from her past, and it gets really confusing for a bit when the owner of a dojo buys out a geisha who is in love with Mr. Someone from Ran's past (mentor, fellow drunk and probably romantic interest) and... it ends up being Ran's finest moment, I think. Fantastic final episode, by the way. The anime is well worth the time investment of 13 episodes, there are a few ups and downs along the way, but overall this was pretty enjoyable. I, uhm, while I'm no longer have as negative an outlook on how modern animation looks as I had one year ago, this still looks pretty bad to me, in addition to being excessively cringeworthy by the nature of its, uhm, content.

Boba Fett's cybernetically enhanced space vespa gang.

Maybe there are better sources, I was just looking for a quick way to make screencaps because strangely enough, there aren't many to find. Well, usable ones, at least. I thought the button was hilarious, and the caption with the spelling mistake is just gold. As for looking underwater, two of them are, and one is in a steamy bathing area, so it's not entirely wrong, but clicking through the rest of this, it looks like a VHS transfer blown up to 480p. It supposedly comes from a DVD though. Who knows. Maybe there's a Laserdisc original somewhere. Reading the first line I was a little surprised, but hey, you clarified that. Lack of experience and foreknowledge explains that. Way back when, i.e. the mid nineties after this came out, Plastic Little was one of the OVAs "to have" because it was cool, actiony anime with perky breasts. Why? Well, because we were all fifteen or sixteen and not supposed to have that stuff in the first place. Plus, exhibit A: Although admittedly, the fanservice in Plastic Little isn't as problematic as in some other animes, but that is also a little weird. For one, when looking at Satoshi Urushihara's work one does know what to expect (unless you're new to this stuff and stumble into it by accident like you did), and then there's the matter of the really weird framing. The nudity in this isn't carrying any comedic undertones, not even the silly nosebleed, and the scenes with the perky jiggles (infamously there are subtitle tracks by ADV that carry a boob jiggle counter for Plastic Little and two other of their works - not kidding, that thing is real) aren't giving off the usual creepy vibe of sexualized playfulness. Not entirely sure what to make of that. I think the scene with the peeking, the shock and the nosebleed were supposed to be funny, but that was so tone deaf it wasn't even properly offensive, while everything else was framed in a strange way. Dunno, maybe that's just me, but it helps that everything else is framed as properly "adult" entertainment, not in the sexual sense but in the sense that the target audience for this was actual adults, not 12-year-olds in adult bodies, if that makes any sense? Or else I'm just a hypocrite who wants to defend liking this more than he should, which is probably also due to a large portion of nostalgia (edit - clarification: Liking this for being 90ies trash sci-fi, not because it has animated boobs, that I really couldn't care less about). That works too. His character designs are fairly unique, and they look more like a hybrid between 60ies and an 80ies style than what was usually seen in the 90ies. Also very distinct from the angular 70ies aesthetic. I don't get any strange or uncanny vibes from the designs, but that's pretty subjective anyway. Supposedly there were people who liked the 70ies character designs too, and I rather prefer the others. I grew up with 60ies and 80ies anime on TV (and some 70ies children's anime mixed in, but those have their own distinct looks) so maybe it's just a matter of being used to them from early on.

No, worse. Well, and there's this bit:

There have always been trigger warnings on 1984. How can you claim they were added?

Makes sense, you’d need to put the text close to fix the cylindrical issue and further away for the spherical one, so focusing doesn’t work, right? I‘m pretty myopic, and I’d have to actually look up my cylindrical value… it’s pretty insignificant in comparison though. As for options there’s also surgery but that depends on your insurance and all, so guess that’s out. As for the numbers, starting at an absolute value of 1.5 you need glasses (roughly), and I think at -15 for myopia at least you’re legally blind here, not 100% sure on that though.

Welcome to the club, one value is the cylindrical (shape of your cornea, the larger this this the more it looks like ovoid than a sphere and therefore shifts the focal point of the light entering your eye to some point behind the retina, causing blurry vision) and the other the spherical diopters, the measurement used to describe astigmatism. My spherical diopters on both eyes currently sit at a very nice -8.0, which pretty much means that without glasses, I'm half-blind. Guess you could use a contact lense for that, although really... that depends on whether you can actually put some foreign object on your eyes or not (I can't). They also have the nasty habit of scratching your cornea, although that's pretty secondary. No way I'm putting a lens on my eyes. Ugh.