Zoraptor

Well yeah, completely unreasonable that having dlc, MP, mods and patches patches patches stuck behind a drm wall for something advertised from the start as 'drm free' upsets people. They're so unreasonable what with expecting not to receive a gimped, potentially permanently broken and always second string version having contributed in some cases large amounts. ... And yet, freeware- freeware- somehow manages to distribute updates without Uncle Gabe leaning over their shoulder, and mods have been distributed without Steam doing a Clippy impersonation for, well, as long as they've been around. I'm fairly sure Thief didn't use steam in 1998, for example. It's a complete bullasterisk justification that doesn't stand so much a smidgeon of critical examination. Ye gods I've never been so glad* I didn't contribute a cent to these sophist shylocks. *slight exaggeration, maybe

Augusto Pinochet. PW Botha. Saddam Hussein. What do I win? (And I don't even agree that Thatcher would have supported Hitler/ Musso. Churchill, who was outright fascist in many respects like gassing Iraqi's, white man's burden, exploitation etc was stridently anti-fascist after all and did not believe in banding together with Uncle A to fight Uncle J. But Thatcher was an absolutely typical western hypocrite 'democrat', totalitarianism was AOK, fine, brilliant even, so long as it was her friends doing the murder, torture and suppression rather than her enemies.)

I mainly just find their method of arguing objectionable. If you're going to characterise everyone who disagrees with you as- essentially- not being in good faith disagreement, which is what Walker did, then you have crossed the line from simply arguing, or putting forward a position, to pontificating, lecturing and demonising your opponents. "Shut up you sexist trolling ignoramuses" is not materially better than "shut up you white knighting impression seeking mangina", which is basically what he accuses those who disagree with him of saying. That is an exceptionally bad approach to take if you're actually trying to convince people of something as opposed to just shouting at people from the top of a soapbox. Frankly though I think that RPS have done an exceptionally good job at trivialising the issue. The wage gaps in gaming issue is worthy of discussion as people should, fundamentally, get equal pay for the same job no matter their sex/ colour/ creed/ whatever. But something like going off the deep end at TWitcher 2's prologue boobies is nothing but trivialisation, if Aryan is alive he gets tortured instead and it is, contextually, appropriate anyway. It's like complaining that having rapine in Game of Thrones is sexist, it isn't, it happened historically and still happens in the real world, burying that under a politically correct blanket is not something that should happen because some middle class bleeding hearts from Chipping Norton get upset at it, if anything it illuminates the mistreatment of women.

I think the reaction that Anita received to her video is another attempt to do something like this I'd agree with that, certainly. I wouldn't have found her project worth funding personally, but trying to bully her out of it was utterly disgraceful let alone the manner in which some tried to do it, and certainly an attempt at censorship and discouragement of others. On RPS though, I'm about as liberal as they come and if they're managing to alienate me on something like this they must be doing something very very wrong indeed. I think Mr Walker needs to take a look at himself and his website rather more as to why the effect has been so divisive.

I think you're ignoring the issue of self censorship, where the pressure of an issue is sufficient to ensure censorship without there being any formal process involved. Something like depicting Mohammed is perfectly legal in most western countries but happens very rarely even when it would be contextually fine- in Crusader Kings 2 you can go back to see Mohammed's portrait and it is the only one in the whole game that is obscured, the issue of South Park/ Comedy Central censoring similarly against the wishes of the people making the program etc. There doesn't have to be or be an attempt to create legislation or other regulation to impose censorship if you can make people impose it- voluntarily or involuntarily- on themselves.

There's little point in speculating on what a Maggie less world would be like- she's far too polarising. You'd just have a dichotomy between "we'd be communists and Westminster Abbey would have been renamed the Arthur Scargill Memorial Mine Worker's Emporium" and "we wouldn't have shifted from subsidising miners at $20k a pop in 1979 to subsidising bankers at 400k a pop in 2013". Neo-liberal/ laissez-faire types always love her, the more left leaning will always hate her. And yeah, the person who deserves most credit for the 'defeat' of the USSR is one Mikael Gorbachev*- the guy who did all the heavy lifting and made all the concessions- not either Thatcher or Reagan. *Or maybe Brezhnev and the general ossification of the soviet leadership

I suspect a lot of those who agree wholeheartedly with Walker/ RPS on this issue would list, say, a religious group objecting to EA/ Bioware wrt homosexuality as being attempted censorship though, even when they use the same tactics. The thing which really got me, apart from their lack of evangelism and inconsistency on other non directly gaming topics, was their historical bee-in-bonnet obsession with CDPR's sexism. Yeah, the booby cards were ridiculous, pretty much everyone (probably including CDPR, now) would agree to that. Turning much of the initial discussion of TWitcher2 and Cyberpunk into a treatise on sexism though, and ignoring any context? That Alec Meer saw a woman being tortured in a medieval world being included to lead to, er, titillation says more about him than about CDPR. And the complaints about the Cyberpunk trailer were just cringe making and the worst sort of issue nannying.

I'd have somewhat more sympathy for RPS' stand on the subject (or rather their approach to the subject, since I broadly agree with much of what they are saying) if they were quite as gung ho about things that could potentially blow back on them and where it could potentially hurt them/ cause them difficulty if they actually made a big deal about it; Doritogate- where one of their own contributors got the shaft from their ad provider- got a delayed, tepid response on the main site because it did not pertain directly to games, to whit: If they were consistent it would be fine, but apparently gaming metacommentary like sex biased wage gaps in the industry is relevant to RPS, but for some reason whether or not gaming journalists are getting bungs isn't relevant. It's easy for them to characterise those who criticise them as cave men or whatever, and assert they aren't just doing to for the page impressions or to get their legs over with Feminist Studies majors but- by their own words- things like the wage gap are not things that RPS ought to be covering. As such, they invited questioning of their motivations.

tritto. I actually came close to cancelling to to put the cash towards the Divinity KS, but I know I'll end up buying Torment anyway so meh, might as well do it now.

Yeah, let's get back to our regularly scheduled discussion of how EA sucks... (Don't care about SI much, it's stupid but meh, ignorable stupid is ignorable. A zombie apocalypse would have been better though)

Uh what? XP has DirectX 9. It isn't very surprising, given what happened with Bioshock (1). "A Man Chooses, A Slave Obeys" and all the metacommentary about railroading in gaming and the last few levels were every bit as much 'you must obey the voice in your head' as it was when it was Fontlas saying your command phrase.

Yep. I would have killed the Force in Kotor 2 and pulled down the Wall in MotB for exactly those reasons, had they been options.

The price varies depending on how many (D&D) games you own or are purchasing- it's $12 if you own no other D&D games on GOG down to $4 if you own all the other titles.

One of the big things about SW EU, as opposed to the Star Trek one for example, was that it counted and was as much a part of canon as the movies, so long as they were compatible with the movies. Having that removed would remove a lot of the 'point' of them. It wouldn't make them any worse quality wise in an absolute sense- the equivalent would be to something like Han Greedo Both Shot Simultaneously Shot First. You can still try and imagine that Han Shot First, and maybe enjoy the original if you've got laserdisks or whatever, but officially the ridiculous looking CGI mess from the DVDs etc is what actually happened.

Would have been better than Sunset Invasion.

I agree the timing could have been better, but the response has still been pretty good. They're already 76% of the way to their funding goal, they'll reach it easily, and both TToN ans SotA end this week. Hopefully this means that they'll have good steady funding throughout the next couple of weeks and a great big surge for their final few days, assuming no other big time project launches around that time to take attention away from them. I still think they can double their funding goal. We can only speculate as to what they could have gotten had their timing been perfect. I'm guessing 1.25 million-ish. I find it rather adorable why they launched early- I cannot imagine there's anyone else who'd treat RPGWatch as if it were GameInformer/ Gamespot/ IGN/ Kotaku, but it would have been far more sensible to just wait the two weeks until SotA and Torment were out of the way. You should aim for a different billing/ pay cycle and they have been a bit swamped PR wise as well. I actually think they are doing well under the circumstances, but they deserve to do better given the quality of their pitch. They got my money anyway, but they were always (well, barring steam exclusive) going to get that. I suspect they'll end up with a million+ and have a relatively larger kick at the end but I think given the quality of their offering ought to get 2 million+. I agree with Lady Crimson that its approach of being more of a straight 'pre-order with bonuses' rather than 'fund us so we can make it at all' is likely to limit things, and Larian does not have the cachet of Obsidian or KS pedigree of inXile- but to balance that they have a huge amount more to actually show and demonstrate than either of those did.

It's the playtester effect. If you don't tell people they can/ should do it they will presume they can't- see the feedback on Dishono(u)red and Bioshock's playtesters. And sexism.

Yeah, scratching my head a bit here, since obviously there's "publisher" between the two models they seem to be referring here, but it would appear that you're right. Obviously there's a lot of alternatives they have, no way they're letting anyone have an exclusive license to, say, Star Wars, anyway. That's certainly the way it reads, and given Disney's own less than stellar record in games it'd be sensible. But it isn't their modus operandi for just about anything else. Almost exclusively when they have made purchases they have internalised everything as much as possible and avoided licensing. They also have the very LucasArts approach to gaming where they change management and approach every two years. In 2015 the new head will probably be talking about going all internal again.

Yeah, they could hardly be better on the saying the right thing and showing the right things front. OTOH their timing is atrocious which is almost certainly the reason for the rather more tepid response than they deserve.

Is there even a single bit of concept art/ render for thiaf that actually shows Garrett's lips anyway, apart from about 1/4s in the trailer? Everything else I've seen has him wearing that ludicrous faux goth black gauze over his lower face. No wonder Squenidos is losing money hand over fist if they're squandering money on that sort of thing, and it doesn't even make a lick of sense. They're not Peter asterisking Jackson, Garrett ain't Gollum, and if they applied those standards in general then Bart Simpson would be a middle aged woman, Mark Hamill could not voice The Joker and a bunch of other similar stuff.

Heh, I can see why he disagreed with jtr7 a lot.

I am currently replaying Alpha Protocol since I mentioned it a few days ago then noticed my newest save game was from exactly two years (where does the time go?) previous. I may even get around to playing the complete asteriskwit Mike I've always meant to and see how low I can get everyone's reputation with me. I also have a game of IWD on suspension on the Barrow Isle which I will get back to.

Steam sells MMOs which was what I was thinking of primarily- Steam does not say they have 'always online' DRM and their justification for that would be that, well, they're online games, duh, they have to be online. Which is exactly what EA is saying. Simcity 4 was best part of a decade ago, and even Societies was six years ago- it took less time for WC3 to become an MMO. Why doesn't Blizzard offer an offline mode for WoW since offline MMOs do very well for Bethesda, after all? For all practical purposes it is for the exact same reasons as EA made Simcity always online or Valve has a client or companies love the idea of MMOs- DRM, captive audience, metrics, three things that companies love. I'm not defending EA in particular, I'd far prefer an offline Simcity personally and practically, and haven't (and likely won't) buy it due to the online requirement.

The hopes and dreams of LGS fans for a good thief sequel, at the least.

EA would say that is isn't equivalent to steam games in general though. After all, you don't need to be online to play Origin games in general either- and Origin's offline actually works consistently rather than randomly deciding to stop working whenever most inconvenient- but you do need to be online to play some steam games as well. Valve would say that they're games that are designed from the ground up as being MP games, but that is exactly what EA says about SimCity as well. ie both would claim that they don't use (always online) DRM but the games are fundamentally designed around MP instead. And in any case, any game that requires Steam (or Origin/ Uplay for that matter) to be running at the same time is using DRM whether it's always online or not.