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Sven_

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Everything posted by Sven_

  1. There's different kind of publishers. Maybe things look a lot worse in the US, in particular regarding PC games, but there are a lot of publishers specializing on niches. Posted this somewhere else, but heck, there are some that do barely anything but point&click adventure games. naturally, they all run on very small budgets, which in some areas is easier to do than in others. The difference between say Europe and Canda/US appears quite large on average, but then the US arguably also has a far bigger pool of studios as well as top talent in games development. A Pillars 2 is pretty much seriously considered anyway. http://www.pcworld.com/article/2880098/obsidian-apparently-greenlit-a-sequel-to-pillars-of-eternity-and-the-game-isnt-even-out.html It's also worth reminding, apart form a design / target audience point of view*, in parts it was getting burnt on a multi-million project that made Obsidian seriously consider doing that Kickstarter in 2012 in the first place. I can happily enjoy both New Vegas as well as Pillars. However, naturally, it was the latter approach that had gone missing. * (http://kotaku.com/5942307/the-people-behind-fallout-and-planescape-are-making-my-dream-rpg)
  2. As a comparison, this is from an interview with Brian Fargo regarding Wasteland 2 from 2013. I don't think the scope and budget of both games was hugely different. In the end, it will also come down to if the guys want to pursue this further, i.e. work on smaller scaled projects when they have the opportunity to also do bigger ones (which having some of the industry's best talent, they still do). I don't know if he was being a bit tongue-in-cheek at that point, but I read an interview with Chris Avellone that he'd love the studio to work on multiple projects like this simultaneously. Exactly like in Black Isle's heydays. http://www.pcgamer.com/brian-fargo-interview-torment-micromarkets-and-the-ongoing-war-with-the-clowns/
  3. Looked it up on Mobygames, where it's compared to Jagged Alliance (which is not a bad thing, obviously). Never had heard about it myself, actually. On a related note to the topic at hand, there is a recent PoE review that is linked to the 2d/3d debate. http://www.incgamers.com/2015/04/pillars-of-eternity-review Have there been any words from Obsidian ever since the release? I looked for a couple older articles from a few days ago, in some of them Chris Avellone was quoted as saying that he'd hugely enjoyed it if there were working on multiple projects like this at once -- like BIS of yore -- but I haven't found anything recent concerning future plans and the state of things except for the confirmed add-on for PoE. Just seen that inXile's Torment: Tides Of Numenera is still open to be pledged. )
  4. That is an excellent point about how it all had to fit the "make your own adventure" toolsets (which where the game's best asset). I think my point about art direction was more about that NWN wasn't exactly the most thrilling looking game released. A year down the road for instance there was Beyond Good And Evil for instance, a game sporting a fantastic art style, which still holds up reaonsablish enoug considering that it's been more than a decade. ) I mean it's understandable given where they're coming from both in terms of players and developers -- but the the weird thing about RPGs it's that if somebody would annouce a WWII RPG tomorrow it would cause heads being turned. :D I think Aliens could have been amazing, though I don't know the direction they were going for. The (Colonial Marines) squad stuff was all in the original X-Com already, sort of, and seeing your squad being killed off one by one worked really well in there -- being able to give them names even made it feel a little personal when they were KIA. Maybe it would have been more akin to System Shock though, which would also suit the license really well, speaking of which, Alien:Isolation for the most part absolutely nailed the original movie. As for Obsidian's next moves, I expect them to release at least another game in their newly created universe surrounding Eora, as it's their very own thing, and very important and personal to them such. I think it was announced to become a franchise thing in case of Kickstarter success anyhow. There are of course many overlaps with the typical D&D stuff, but I find it pretty enjoyable and intriguing so far. I'm just very glad these kinds of games are sort of back, and that this is hopefully the start of some diversity -- what is it that is keeping companies from working on franchises such as South Park as well as something smaller in scale, typically? Unfortunately for studios such as Double Fine or Obsidian, they are located in an area where making games is pretty expensive, admittedly. Pillars isn't an entirelly retro affair either way, and I'm personally glad that most of the press and players pick up on that as well. ) There is a lot of influence from Troika and Black Isle games of yore, bold ideas and design that has never been picked up from ever since -- and there is something about text that a fully cinematic cutscene will never be able to convey. I love this game. And I hope it is the game, or part of a wave of games that will change the nature of an industry.
  5. Hey there. I'm the new guy. I haven't been sucked into a new RPG as much as this one at least as far back as New Vegas, probably more like the original Baldur's Gate, when it was breaking all new grounds in 1998. I'm ashamed to not have backed this also (I have yet to back a game). Yet I'm hoping that this will mark the beginning of something new, not just a one-off. For me it's never been a case of 2d or 3d. They're both technologies, tools. It is the artist and what he's doing with it that matters. Speaking of which, Neverwinter Nights look didn't suffer of the basic 3d technology of its time as much as of the art direction -- in my opinion anyways. 3D has some inherent advantages that 2D can't cope with, and vice versa. It depends on the game and experience though. I enjoyed New Vegas immensely, Bloodlines even by 2015 standards is almost absurdly packed with vision and scope, and I would have loved to see the canceled Aliens RPG to see the light of day. Speaking of which, as some of you have pointed out, indeed there was a push for 3D at the turn of the millenium. It's not merely 2d that has been slowly fading though, it is more specialized games in general. Back in 1997, something (as crude looking for today's eyes) as Fallout could still happily sit on the same shelf as the likes of Jedi Knight. Budgets for the most expensive games hadn't yet exploded (Wing Commander and Interactive Movies featuring Hollywood's B cast aside), titles didn't need to break the million units sold point to barely break even. In more recent years that changed a little though. New models of distribution opened up, as did new ways of funding a game. What is exciting to me about the latest Kickstarter ressurgance isn't so much that it is happening. It is who has actually been involved. It's not like these games had died out in the first place, it's just that they didn't have an audience that would warrant triple A budgets or attract triple A publishers. Thus it was small indie outlets filling the gaps. From small garage teams like in the 1980s to smaller publishers who specialize on niches. Here in Germany you have actually publishers who very much focus on PC adventure games -- and doing reasonably well enough even though they sell significantly less than your average PC RPG (a game selling 50,000 units is considered a major hit pretty much -- and though not as complex in development as a fully-fledged RPG, they all feature fully professional voice overs throughout, and production values up to this: http://www.kingart-games.de/bout2/). They all have competition now. As now you're getting the most creative heads in the industry taking note -- and scaling back a little. If your game doesn't cost 20 millions+ to make and market, you don't have to ship a million plus units in the first place to turn a profit. Thus Tim Schafer's first new adventure game ever since the utterly brilliant Grim Fandango will be released soon (though it reportedly went hugely overbudget). Brian Fargo appears to have embarked on a quest to do sequels or spiritual follow-ups to just about anyone's favourite cult RPGs. And Obsidian have just released the fantastic Pillars Of Eternity. Thank you to the backers, thank you to Josh, Faergus, Josh, Adam, Eric and the entire team for making this a reality. There is a little uncertainty about Kickstarter, probably, and that is because of the people. It very much relies on them: If they don't trust you anymore, the backing might fade. That is why I'm hoping for traditional publishers to take note too, Obsidian's connections to Paradox sound like a great fit. In the Road To Eternity video, it became apparent that Obsidian had trouble finding such a publisher for games like this. Yet there are publishers out there who very much focus on PC games, interestingly even Sega, who canned the Aliens RPG for reasons the public will likely never know. Take a look at their portfolio: their biggest franchises are Total War (totally PC) and Football Manager, a series selling a million copies each year despite not sporting much of any kind of graphics to begin with (correspondingly, it is always to be found amongst Steam's most played titles at any time of the day). Here's hoping and off to the Endless Paths now. )
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