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Showing results for tags 'innovation'.
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im playing solo on hard, its fun but i have to run back town every 3-4 fights, its stupid. i dont think i gon play anymore untill i can find somekind mod for this. does anyone know where i can find a mod like that.
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We've got a crowdfunded project with many many rpg veterans chipping in. I'm ready for some innovation and experiments. Here are some features of my imaginary, perfect 'Project Eternity', add your own below! Resting Spells/abilities regenerate instead of becoming unavailable after use until the party rests. The party acts at 100% efficiency when well rested, but gradually becomes more vulnerable and loses effectiveness in all skills when tired. Spells not only cost mana, but tire casters independently. The same holds true for physical skills without consuming mana. The party can rest anywhere to regain up to e.g. 50% efficiency, but can only recuperate to 100% in designated resting areas. Familiar: As a tactical asset, it can spy, explore, steal, poison, play tricks etc. either on enemies/neutrals or companions. It's got character (I always thought Morte was a good familiar, if overpowered as a fighter.) It's not an ugly beetle. Dialogue Regular people share parts of a huge knowledge pool. Besides the traditional dialogue window, a kind of "google autocomplete searchbox" displays possible questions relating to the key words typed in. E.g. "Mr. X" would permit the questions: "What do you know about Mr. X?", "Where does Mr. X live?", etc. Choices Some painful, some impossible, and some to be proud of Example: "You paid dearly for doing the right thing. As a child slave, you decide to help a friend avoid punishment. You get caught and your hand is chopped off in retribution. Later on, you can't use bows and 2h-weapons. Furthermore, the wound is a stigma of a caught and convicted petty thief." In the later game, those friends' actions have special significance to the player, and create immersion. If later on a magic liquid metal hand that restores lost abilities, can shapeshift and execute killmoves happens to be found, it'll be enjoyed all the more. On the other hand, any injury can be avoided by not helping the friend in the first place. Not paying attention makes it easy to inadvertently go down the wrong path. You want to be a good guy? Be prepared to swallow rage and forsake the satisfaction of vengeance. Vigilante killings are recognized as such by society. It's not easy to be just, and almost impossible to entirely avoid being manipulated. Prudent choices such as "bringing someone in" instead of killing them outright are available. It's impossible to succeed every time, and players are confronted with moments of intense frustration. No guiding hand An immersion breaker in modern games is the relentless pace. Not in Project Eternity. Here it is important to pay attention to the dialogue. Little is gained by following quest markers or checking objectives. Facts are recorded, but the player jots down his/her own conclusions in the journal next to them, and chooses his/her plan of action. The minimap is not a substitute for looking at where you are going, players need to familiarize themselves with the game world. Help is readily available by talking to people, but the right questions need to be asked. Superior solutions to quests apparent only with understanding and immersion are available next to regular endings. Mystery The player is placed in a wondrous place, and is not all that powerful nor important. He/She isn't able to battle everything, and might need to run from a conflict without ever having a chance of besting an opponent. In PST the lady of pain set a great mood. Beating everything into submission does not solve anything, nor does it even seem a worthy endeavor. Themes Philosophy is fun and fascinating. Kierkegaard and Hobbes inspire fascinating dark characters whose dispositions and actions give a special flair to this RPG. There is no arch enemy, per se, the player develops a philosophy he/she needs to see through. Combat The trade-off for tactical mastery in turn based combat is the static feel. Especially during unchallenging encounters, parties approach each other, find the right distance, stop, and lose health until one dies. Not in Project Eternity. To start with, enemies have hit boxes which can be individually targeted. Moreover, terrain, obstacles, distance, position and stance are integrated as tactical elements. Attacks and spells can knock targets around. More action oriented players such as myself appreciate timed active actions (block, parry, riposte/counter, chain...), although these are optional in the game menu. Both classic rpg lovers and action oriented gamers appreciate differentiated combat stages, where party characters dynamically adjust their standard attack according to distance. Long range, mid range, and melee. A melee character needs to consider how to approach through a debuff focused mid range without penalty (by fog, evasion, cover, long range stun/knockdown...), thus making the "approach and hack" tactic less feasible. Different armors equal different strengths and weaknesses. Weapon changes during combat are quick and necessary. Semi-scripted melee and spell combos bring joy to all (thief hamstrings an opponent from behind, fighter bashes his head in) Romance During the last years games have opened up a lot in this respect. We saw more LBGT friendly interaction, and a lot more skin. Since all bases are covered in Project Eternity, a large cast of characters is needed. Most characters are regular boring heterosexuals, not that much interested in sex in any case, because immersion doesn't permit otherwise. A true romance (and with good reason not everyone wants to go there) seeps out of the confines of dialogue. Combat changes, as do expectations from partner and party. Interaction is more frequent and natural. A darker side of romance is the power to influence/manipulate/control one's partner, and some evil bastards take advantage of that. Leveling A Fallout approach is chosen in lieu of fixed classes. It's possible to pick up formerly unknown skills during the story which are not included in a skill tree/pool, and different types of equipment have unique actions. Toolset Whatever wishes stay unfulfilled, a toolset brings them to life. Modders not only add or change content, they change gameplay, fix bugs and update graphics. A toolset for a game is the gift that keeps on giving. (Check out the oblivion/skyrim/fallout3/falloutnv nexus if you haven't already, it is insane what these people deliver)
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Passage of time in RPGs Quite some time have passed since the birth of RP video games, and we have seen innovation after innovation deepen the immersion and revitalize not just a game genre but also a culture. The introduction of 3D did a lot to the first-person branch of RPGs for example, and the obvious demonstration would be the Elder Scrolls series. The advancement of internet also did a lot to RPGs which by nature is based on gameplay including several players, if you consider their origins, and today we have a genre called MMORPG. I have always thought of the element and mechanics of time's passage as one of these things that could really revolutionize, or at least explore a very neglected aspect of gaming in general and worldbuilding specifically. I mean, today we can explore a sprawling and ever-so-detailed world with grass swaying in the wind and NPCs going about their daily tasks and talking to each other. But it's still like you're walking around in a world frozen in a time stasis. Nothing happens until you show up. If you can play for months or even years in-game why wouldn't you be able to see the seasons go by? I'm talking about using time as something more than just a decorative day and night cycle, or as simple quest requisites, as in "meet me here tonight". I'm talking about having the passage of time being an integral part of the game world and how things in it functions. It would be a difficult task to implement in a game like Skyrim for example, considering the massive, open, and minutely detailed 3D world it has, as regards to the pure amount of data it would require. But take something like what Project Eternity wants to create, and you can at least start to see ways of actually doing this. Brainstorming! So, let's take some basic aspects of RPG gameplay and expose them to the element of time and see what happens. Items and keeping inventory Items and the use of an inventory is elementary in RPGs, but since most of the things in an RPG inventory are probably made out of metal, paper, cloth and so on, there's really not much gong on in there. But let's say food and drink are important things for the wellbeing of a character, just like in pen-and-paper RPGs and many other games. So if food and drink are made important, you could actually have drinks going stale, bread molding, and meat rotting and becoming poisonous. Perhaps it would be wise to throw out old food if you don't want rot to spread to the other foodstuffs in your inventory. But then again, there's potions and healing... Potions and healing are the natural enemy of food and drink. Why go through all the pain of enabling players to satiate their hunger and thirst, and doing so to recover and maintain health, when you're just a couple of pots or hand movements away from full health at any moment? If food and drink is to be implemented it will compete with potions and healing since they all share the same use, namely that of keeping you healthy. Now, if everyone knew how to heal, then even potions would be superfluous, but not everyone does, and usually the healing is limited to X uses per day or something like that. If you think about it, potions and healing are almost exclusively used during combat, because that's where you often need to regain vast amounts of health in a matter of seconds. We all know only magic and futuristic auto-injectors are capable of doing this, not apple pies and dried meat. So that's out of the question. But what we do know is that a man's gotta eat and drink at some point, and hopefully not just to squeeze the local going-ons out of some poor tavern patron. What if potions actually were a rare and perhaps expensive commodity, I mean, where are all the factories supplying this ridiculous amount of potions at these prizes located anyway? If food and drink were to be made useful it would mean you somehow lost health or otherwise suffered outside of battle. I know there's a lot of people who would oppose themselves to that, believing the world outside of battle to be the safest place of all, and perhaps it aught to be in world where the urgency of time only is applied to battle, but as soon as you introduce time to the world as a whole I believe you should be able to feel it and act upon it, even outside of battle. Maybe your max health decreases if you don't eat and drink, or you become more vulnerable to some things (like poison and disease), less resistant to magic, or less efficient with your skills. Perhaps then players would feel inclined towards only using their few and valuable potions and heals when they really need them, during battle that is, and making room for the gastronomical adventure while making camp or as a non-contrived way of meeting and agreeing to help strangers at taverns. World and travel I've always wondered why some games have elaborate calendars with fancy names and mythology and the only purpose it seams to serve is to organize your saved games. Why not tie all these names and mythology to things that happen in the world? Most places located in temperate regions celebrate harvesting season for example, usually there's festivities and markets. Maybe there's a tourney every year to celebrate the local king's birthday or your own heroic deeds (after completing a quest). Maybe most shops are closed a certain day of the week, or perhaps the a local elven trader leaves town a few days to celebrate the coming of spring with his kin. There are many things going on in a town for example, many of which are daily tasks that aren't really worth plotting out in any great detail, but seeing the streets change from a sprawling social meeting place during day, to a dark, nail-biting gauntlet by night is something a lot of games have done before and with good results. Besides these area-specific events taking place you can have people moving about between towns and villages, like merchants or a traveling circus for example. Having different modes of transportation is also something that will make the game more interesting when you add the element of time. Will you make it in time to wherever you need to be if you just travel by foot, or will you need to buy horses or hire a carriage? Questing How is it that no matter how mundane or urgent a task it is, an NPC will accept no help but yours? What I'm proposing here hasn't been done in any RPGs, at least to my knowledge. To actually turn quests into their own processes of events, and if you want them to take certain path you need to intervene, and if you don't, they' will "solve themselves". Quests of the type "find the cure..." will likely only have one consequence if left undone, assuming you're the only one able to solve it. But let's say the quest is saving a merchant's daughter who have been kidnapped by bandits instead. If you never show up to take the quest, the quest will start solving itself after a while. Perhaps the merchant hires someone else to do the job, and maybe you run into this person by chance in the wilderness and he asks if you want to join in on the reward, allowing you to still pick the quest up. Perhaps you never meet the hired sword on his quest and maybe he fails, but you run into the bandits much later, and if you talk to them instead of fighting them you discover one of them was once a merchant's daughter who actually ran away from her overbearing father. Other quests might evolve in more complex ways, not always random, and you are able to intercept the quest anywhere as it travels along its' timeline and hopefully completing it, with different outcomes depending on where. This means you can't pick up every quest in the game in only one playthrough, at least not from their start, since you can't be everywhere simultaneously. Perhaps you have to make though choices based on that fact. Your choices, and at what time you make them, will have a profound effect on the story and the gaming experience of each playthrough. The replayability that implementation of time offers is immense. I'm not sure how far this project has gone and if this kind of input is "too late" so to speak, but it might still offer some food for thought.
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