I think I wrote about it back when it came out. Either way, for me the sheer spectacle of it is unimpeachable, but what is arguably more impressive is the very minimalist, Bressonian element of transcendence born from survival, all told, as LadyCrimson says, through the gestures and the faces more so than through the dialogues, the backstories or what have you. Nolan does a stunning job in this at capturing certain moments in the event in a way that seem to break through the very realist pretent
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